 JUSTE UN VUA solo choreographed and performed by Elisa Martinez. Born with dyslexia, I turned my struggles at school -marked by fear, misunderstanding, and exclusion — into artistic expression. Through dance and spoken word, this one-woman show tells my story with emotion and resilience. Across five scenes, I explore my journey, from pain to empowerment, and invite the audience to better understand learning differences. |  À FORCE 2“À FORCE 2” explores human relationships in the face of life’s struggles, revealing how power dynamics can lead to opposition, complicity, or deep connection.
Through five poetic and energetic acts, seven dancers — with and without disabilities — embody the strength we draw from one another, the power we share, and the resilience that drives us to overcome our limits. |  De là où je suisLife sometimes takes us down a steep or remote path... Are we ready to trust life, to accept where it places us? Isn't there always a reason for this? Are we capable of throwing away our inner brakes and feeling legitimate in the battles we have chosen? Régis Tsoumbou Bakana and Lucie Retail will seek these nuances to respond to the emergency with an essential and necessary word, by questioning us on the notion of resilience. |
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 C'est beau !For several years, Compagnie DK-BEL has been creating performances featuring dancers with and without disabilities. Often, audience members simply respond with: *"It's beautiful..."*
We wanted to explore this notion of beauty further, seeking to understand how it can be a vehicle for personal, collective, and even universal emotion. |  Grandir"Grandir" is a choreographic piece in which four dancers, including one with a disability, explore different human relationships over time, each in their own unique way. |  THE PIH-POH PLAYER - 2022The PIHPOH Player is a hip hop piece inspired by the tale "the flute player of Hamelin" written by the Grimm brothers. For his first creation as a choreographer, Raymond Siopathis, is mainly interested in the invaders of the village of Hamelin: the rats. |
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